Musical synthesizer: Designed and manufactured in 1992. The audio card delivers a continuous mix of 1024 sinewaves (16 bit) employing a 26 bit adder and an 8 bit amplification stage into a multiplexer piped into a 34 bit multiplier for the digital to analog conversion stage. Unlike sampling synthesizers this design employs the Fourrier Resynthesis principle with a streamlined data pipe to deliver superlative reproduction of sounds like sandstorms, hurricanes, jet roars and the more complex and difficult to achieve sounds required in the movie industry at a sampling rate of 256Khz.

This sound card can also render high quality human voice reproduction emulating the most difficult voice inflections of any human or animal species. The card’s output clarity and resolution of 35 bits exceeds most of the recording studio gear standards.

S-002D
Musical Synthesizer
(Reverse Fourrier principle)